So, you can specify the output destination and format, and initiate the conversion process.īut you can also configure input file settings (e.g. In the queue you can view various information about the tracks, including their source format, codec, duration, track gain, output file name, and more. You can get started by importing media via the file browser or by using the "drag and drop" method (batch processing is supported). It may seem a bit confusing at first but XRECODE II is actually very easy to navigate through. The user interface of the program is standard. It also supports extracting audio file from most video files as well as Audio-CD grabbing. I am going to buy two copies to reward the developer (put one on the laptop just for grins).XRECODE3 is audio converter, which supports most of the common audio formats, such as mp3, wav, flac, dsd, etc. I am so heavily invested in FLAC 96 - XRECODE II is a life saver. But I kinda like iTunes (I always have XPLAY 3 ready to fix things) on the PC just as a manager for all the family iPods, and with disk so cheap keeping the ALAC 48 copies for iTunes is no big deal. Of course I agree - let FB2K manage the iPod for you with the plug-in if you decide AAC is the way to go. I am totally happy, as I can continue to use FB2K for everything, not covert to dbPoweramp or Media Monkey. hence the need for iVolume as the last step). clearly the values are in the iTunes DB, not embedded, just like the way iTunes does a lot of things. but alas ALAC does not support this (Apple says this on their site, but you never know, since Sound Check does work with ALAC. and he would have added it to the program!. He even investigated my idea of storing the RG values in a iTunNORM tag in the ALAC. The developer responded instantly to all my questions via email, and gave me a lot of tips. I cannot say enough good things about XRECODE II. It will apply embedded ReplayGain values from the FLACs and alter the ALACs on the way out if your want to level that way (I don't - I am going to use iVolume once everything is in iTunes, which will create Sound Check values using the ReplayGain algorithm and store them in the iTunes database, and then iTunes moves them over to the iPod so that Sound Check on the iPod will work well). It converts in batch, quickly and flawlessly, FLAC 96 with embedded art to ALAC 48 with embedded art. I have now tested everything, and the winner is XRECODE II. Which brings us back to the OP's question. You need tagging and compression -that's that. So it's FLAC in the non-Apple world and ALAC for the iPod/iTunes world. I'm sticking with lossless! OK I'm sure you're right and that I can't hear the difference. Station Food Court), just three of us, but we all agreed the SQ was mind-blowing. We listened to some of these (on a RWA Vinnie iMod with an ALO LOD, and a Mini^3 made by Ying at YBM) using Grado HF-2's and beyer 770/250s at a planned-at-the-last-minute micro meet Saturday night in Philly (at the 30th St. I use FB2K with the SOX plug-in first to make 24/48 FLACs from my 24/96 reference tracks. I currently use XRECODE II and it works flawlessly - from FLACs it makes ALACs with embedded art that play (and show the art) on every iPod I have tested (lots). I will try the very latest FB2K and report back. (I know there are lots of reasons not to embed art, the folder approach is surely better, but I do it anyway and depend on it.) All other tags survived, but if you like to embed art you're screwed. Last time I did FLAC -> ALAC in FB2K the embedded album art was lost. A poster there suggested Easy CD-DA Extractor.
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